Dark Bias is the blog of photographer Craig Boehman, blending fine art photography with street influences. Here I share new work, creative process, gear notes, and updates from travels and experiments. Follow along as I shift from traditional street shooting into fine art expression and artistic photography.

Craig Boehman breaks down why gear matters in street photography. From autofocus to image quality, this post challenges the myth that tools do not matter and encourages photographers to own what works and stop repeating empty mantras.

Craig Boehman reflects on why “just shooting” isn’t enough anymore. In this essay, he argues for intention in street photography through planning, repetition, editing, and focus, urging photographers to move beyond wandering and make deliberate decisions about what and how they shoot in 2026.

Street photographer Craig Boehman breaks down how to move beyond low-hanging fruit and create stronger images using light, motion, and layered composition. Stop settling for easy shots. Start seeing more. Shoot with purpose.

Photographer Craig Boehman delivers a sharp, unapologetic defense of digital photography. This piece dismantles film mythology, calls out romanticized nostalgia, and makes the case for digital as a powerful, flexible tool for creating thoughtful, impactful, and modern photographic work.

Craig Boehman was interviewed by The Word about his love for street photography in Mumbai. In this full interview, he discusses the city’s energy, people, and why Mumbai remains one of the world’s greatest places for street photography.

Photographer Craig Boehman breaks down the fishing technique in street photography with real-world examples, detailed instruction, and personal insights from Mumbai and London. Learn how to build stronger compositions, anticipate moments, and create intentional images using one of the most powerful methods in the genre.

Craig Boehman breaks down the black and white street photography trend and why it's become a creative trap. This blog challenges photographers to stop copying the same tired look, rethink their tools and approach, and explore new ways to create original work that reflects their own voice instead of someone else's formula.

Photographer Craig Boehman explains why he won’t upgrade to the iPhone 17 Pro. Apple’s latest model offers brighter displays, bigger batteries, and 48MP cameras, but still lacks a true Pro camera mode with manual controls. Craig reflects on what he values in his iPhone 16 Pro and why real photographers deserve more from Apple.

Street photographer Craig Boehman explores how gear, mindset, and presence affect candid photography in public spaces. Learn how False Celebrity Syndrome impacts travelers with cameras and how to stay invisible using proven techniques and mobile photography, especially in cities like Mumbai.

Celebrating 10 years of Mumbai street photography, Craig Boehman reflects on his journey from his first major publication in 2015 to a decade of exploring the city’s streets. Honoring friend Firoze Shakir, this milestone marks a shift toward fine art photography, creating lasting works beyond the street.

Photographer Craig Boehman reflects on shifting from traditional cameras to the iPhone, navigating creative burnout, AI fatigue, and the search for artistic identity. This personal essay explores simplifying workflow, rejecting trends, and rediscovering meaning in fine art photography through experimentation and clarity.

A cheap wrist strap turned my iPhone 16 Pro into a one-handed street photography tool. Ugly, simple, and the best upgrade I never expected. Once useless on my DSLR, this tacky little cord gave me stability, confidence, and freedom on the streets of Mumbai. Learn how to set it up, why it works, and why sometimes the smallest fix makes the biggest difference.

Craig Boehman argues that 100% AI-generated art is a fad burning out among hobbyists, even as corporations exploit it for marketing. From Midjourney’s decline to copyright pitfalls and scam protections, Boehman predicts a commercial shift and urges artists to explore hybrid workflows while protecting their work.

After eight months with the iPhone 16 Pro, I’ve gone from skeptic to believer. From street photography to fine art, it has reshaped my workflow and challenged my views on image quality, editing, and mobile photography. This long-term review shares my final verdict and why the iPhone 16 Pro may be the most versatile camera for everyday and professional use.

This article challenges the popular advice that photographers should slow down to improve their work. It argues that slowing down is usually a correction for sloppy habits rather than a path to better photos. A critical yet lighthearted read for street photographers who value timing, awareness, and real-world experience.

This article critically examines artist residencies, exposing hidden fees, gatekeeping, and the illusion of prestige. It challenges the belief that residencies are essential for success and offers alternative paths for artists to create, grow, and sustain their practice independently.

Running out of iPhone storage mid-shoot sucks. Craig Boehman breaks down a foolproof backup strategy using Flickr, Dropbox, and smart file management to keep your photos and videos safe. Learn how to avoid storage nightmares, streamline your workflow, and keep shooting without interruptions. Don’t let a “Storage Full” warning ruin your next great shot—get organized now.

Image quality isn’t everything. In this deep dive, Craig Boehman explores the real debate between iPhones and traditional cameras—focusing on workflow, adaptability, and creative vision over pure specs. Whether you're a street photographer or fine artist, discover why the best camera is the one that fits your process, not just the sharpest lens.

The iPhone 16 Pro has completely redefined how I create fine art photography. After years of using full-frame mirrorless cameras, I’ve shifted to shooting exclusively with a device that fits in my pocket. From AI-powered editing to the stealth advantage in street photography, this article explores why I’ve ditched traditional gear for good—and why I’m not looking back.