Explore Craig Boehman's venture into fine art with "Desolation," where street photography meets the innovative realms of Generative AI. Witness a fusion that challenges traditional boundaries, blending real-life captures with imaginative AI elements to craft Impressionist-inspired prints that redefine creativity in the digital age.

Elevate your morning street photography with our "5 Tips for Morning Street Photography" guide. Learn to harness the golden hour, prepare your gear the night before, and find beauty in spontaneous moments. Dive into the full article for insights on capturing the essence of early mornings, wherever you are.

I’m not advising you to avoid visiting Mumbai’s own Dhobi Ghat, the largest outdoor laundry in the world. This article only serves as a warning to photographers who may want to visit inside: be prepared to be let down by the experience.

Street photography has all kinds of benefits. I want to share a few of these with you because even if you’re not a hardcore enthusiast, you might be surprised by what the genre can do for you if you decide to pursue it even occasionally. I’m personally working on my ninth year of shooting street photography and I hope to be doing it for decades to come. Here’s what I’ve learned so far.

Knowing your purpose in street photography is one thing; packaging it and presenting it to the world is quite another. I guess I’ve known all along what my purpose has been in street photography and photography in general: turning people into art. It may sound generic. It may sound too vague. After all, isn’t that what portrait painters do? Or any number of other artists, for that matter?

Street photographers, like any photography enthusiast, do stupid things occasionally. And I’m not above it all; I’ve ticked most of the boxes on this list. The point is to learn and grow as street photographers and not repeat the same mistakes that hold us back.
I compiled the ‘7 Stupid Things That Street Photographers Do’ list based on my past mistakes and those of photographers I’ve explored the streets with over the past eight years in India and worldwide.

I’ve coined a term for stopping up to your maximum aperture on the lens and walking around in Aperture Priority mode on Auto ISO: Goofy Mode. It’s what everyone is bound to do when they purchase a fast prime lens (like a Sony 85mm 1.8.) and set out and about and put it through the paces.

I don't consider myself a documentary photographer. I occasionally take pictures, that if were part of a much larger and more precise body of work, could be considered documentary in nature. But the reality is there's only one project that has been dear to me in the past decade and I only photograph that part of Kolkata real estate too infrequently.