“Armageddon My Bad”

Limited Edition Fine Art Print
Archival Pigment Print on Hahnemühle Fine Art Paper

Year: 2025

Available Editions:

• Grand Edition (2 of 2 Prints available) – 36x72 inches – $1,440

• Gallery Edition (8 of 8 Prints available) – 18x36 inches – $360

• Collector’s Edition (32 of 32 Prints available) – 9x18 inches – $90

Each print is produced using archival pigment inks on Hahnemühle fine art paper, known for its exceptional quality, rich tonal range, and museum-grade longevity. Every print is hand-signed and numbered by the artist and includes a Certificate of Authenticity. Prints are also registered with Hahnemühle, allowing collectors to verify their edition online.

Shipping is available worldwide with an estimated cost of $70 per order. Each piece is carefully packaged, fully insured, and guaranteed to arrive in perfect condition.Sunset Concerto

Please include the title of the print and the desired edition size in your inquiry. I am happy to provide additional details and assist with any questions regarding availability, shipping, or the artwork itself.

About Armageddon My Bad

Armageddon My Bad is a satirical reflection on humanity’s relentless obsession with doomsday scenarios. The piece examines the idea that self-destruction is not just an accident waiting to happen, but an inevitability—woven into the fabric of human nature. While this may hold some truth, it calls into question rational thought and the very ideals of the Enlightenment. If our species is wired for self-destruction, what does that say about our capacity for progress?

Craig Boehman brings this concept to life through a fusion of Intentional Camera Movement (ICM), artificial intelligence, and digital manipulation. Using an iPhone as his primary tool, he captures fluid, abstract imagery with Slow Shutter Cam, embracing long exposure techniques to distort reality. These raw ICM shots then enter a multi-layered transformation process, where Adobe’s Firefly AI selectively replaces pixels, reshaping the original into something entirely new. Further refinements in various desktop applications allow Boehman to push the piece into painterly abstraction before finalizing it in Photoshop.

While he could achieve similar results with a full-frame mirrorless camera, the iPhone’s mobility grants him a unique creative advantage. It allows him to work anywhere, from a café to the chaotic streets of Mumbai, seamlessly blending observation with artistic intervention. Armageddon My Bad is both a critique and an invitation—to question the allure of apocalyptic thinking and to consider whether our obsession with the end is just another self-fulfilling prophecy.